Package Includes:

• (1) PRESONUS StudioLive SLM AR8C 8 Channel Mixer 8 In/4 Out USB Recording Interface
• (4) Rockville RCM03 Pro Studio Recording Condenser Microphone Mic+Metal Shock Mount
• (4) Samson SR850 Professional Semi-open Studio Reference Monitoring Headphones
• (4) Rockville RDMS70 Desktop Mic Stand with Boom+Steel Round Base+Adjustable Height
• (1) Samson QH4 4-Channel Studio/Podcast Headphone Amplifier Amp 16 to 600 ohms

---

How to Setup Your Podcast:

How to Set Up a Podcast in Under 60 Seconds :

---

Description of SLMAR8C:

Podcasting and home recording, simplified
With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators.

A full-featured audio interface.

 

 

The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings.

 

 

Effects without latency
Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too with or without the dry channels to blend with your multi track recording. Experiment in post-production to your heart's content.

 

 

Features:

        Recording

 

 

Specifications:

Microphone Preamp
Type: XLR Female, Class A XMAX
Maximum Input level (unity gain): +9 dBu ±1.0 dB
Gain Control Range: 43 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu): 94 dB
THD+N (min. gain, A-wtd): < 0.01%
Input Impedance: 1 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd): Mono Channels: < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB
Phantom Power: +48V, ±3V, Global

Instrument Inputs
Type: ¼” TS Female, Unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +9 dBu ±1.0 dB
Gain Control Range: 43 dB, ±1 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (min. gain, A-wtd): > 105 dB
Dynamic Range (mid. Gain, unwtd): > 108 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
THD+N (1 kHz, -1 dBFS, unwtd): < 0.01%
Input Impedance: > 1 MΩ

Line Inputs
Type: ¼” TRS Female, Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +26 dBu ±1.0 dB
Gain Control Range: Mono Channels: 40 dB, ±1 dB (-5 to +35 dB), Stereo Channels: 0 dB or +10 dB (+10 dB Boost)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu): 85 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
Input Impedance (Balanced): 10 kΩ

Main, Control Room, Monitor, and FX Outputs
Type (Main Outputs): XLR Male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs): ¼” TRS Female, Balanced
Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 108 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
Output Impedance: 100 Ω

Headphone Output
Type: ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level: 150 mW/channel @ 60 Ω
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 103 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%

System Crosstalk
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd): -85 dBu

Signal Level LED
Signal: -30 dBFS (pre-EQ)
Clip: -3.0 dB before clip (pre- or post-EQ)

Channel EQ
Low Cut: 100 Hz, -18 dB/Octave
High Shelving: ±15 dB @ 10 kHz
Mid Peaking (Mono Channels): ±15 dB @ 140 Hz to 3.5 kHz (variable)
Mid Peaking (Stereo Channels): ±15 dB @ 2.5 kHz
Mid-Band Q: Boost: 1.0, Cut: 2.5
Low Shelving: ±15 dB @ 100 Hz

Digital Audio
Host Interface: USB 2.0
ADC Dynamic Range (Component): 114 dB
ADC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
DAC Dynamic Range (Component): 114 dB
DAC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
Signal-to-Noise (a-weighted): -96 dB
Bit Depth: 24-bit
Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
Jitter: < 80 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation:  > 60 dB (1 ns in => 1 ps out)

SD Recorder
Supported Media Format: FAT16 formatted SD™ card, FAT32 formatted SDHC™ card
Media Storage Capacity: SD card: 2 GB; SDHC card: 32 GB
Recording File Format: Stereo WAV
Playback File Formats: Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)
Sampling Rate (WAV): 44.1 kHz
Bit Depth: Recording: 24-bit, Playback: 16- or 24-bit

Power/Environmental
Connector: IEC
Input Voltage Range: 90 to 240 VAC
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Included Studio Magic Plug-ins

• Ableton Live Lite
• Arturia Analog Lab Lite
  
• Brainworx bx-opto Compressor
  
• Brainworx bx_rockrack 
  
• Cherry Audio Voltage Nucleus 
  
• iZotope Neutron Elements 
  
• Klanghelm SDRR2tube compressor 
  
• KV331 Audio Synthmaster Player 
  
• Lexicon MPX-i Reverb
  
• Maag Audio EQ2
  
• Melodics rehearsal tool
  
• Native Instruments REPLIKA
  
• Output Movement
  
• SPL Attacker Plus
  
• Studio Linked Trophies
  
• UJAM Virtual Drummer 2 PHAT
  
• UVI Model D Piano

---

How to Setup a Rockville Condenser Microphone with Your Computer:

Video of RCM03:

Unboxing Video of RCM03:

The Rockville RCM03 condenser microphone performs better than famous branded microphones that cost over $150. This model is similar to our RCM01 however it is made of aluminum, and the frame is slightly larger. We also upgraded this model to a high end metal anti-wind cap! We highly recommend this design. This model is an amazing upgrade to our top selling RCM01 model!

Multi-Purpose
Designed for crystal clear capturing of vocals, acoustic and amplified instruments, as well as room reverb. The frequency pick up pattern makes the RCM03 amazing in studio applications.

The aluminum construction makes the RCM03 tough enough for Live sound applications as well!

Multiple connection options!
This microphone can be used in multiple ways. You can connect this to the phantom power of your mixer or you can connect it directly to your computer sound card. We include both cables! We include a cable to connect it to your mixer as well as a cable to connect the mic to your computer!

Quality built inside and out!
The microphone is made of aluminum. It is very rugged and tough like you would expect from any Rockville product. This microphone has a large diaphragm which is what enables our mic to deliver a wider range of high and low frequencies than our competitors. Our frequency range is tested at 30HZ – 20KHZ!  The mic sounds crystal clear sound with no distortion!

The PCB (circuit board) uses surface mounted components which is the same method the expensive brands use. We use only top components that under-go extreme testing by our own audio engineers.

The last thing that I need to mention and call out is that our product is very sturdy. Let me explain. When you are recording, you do not want even the slightest noises coming from your mic. The microphone consists of a casing and there is a cartridge inside the case. You do not want that cartridge moving around. We made sure to adjust our mechanism and ensure the cartridge is firmly in place and not creating any unwanted noises.

Best Value
After testing our Rockville condenser mics against mics that cost 300% more money, we found ours to be as good or better than the ones we tested against.


What's Included:

• RCM03 Condenser Microphone (made of aluminum!)
  
• 100% Copper 10 foot 3.5mm jack to XLR cable to connect mic to your computer or other device
  
• 100% Copper 10 foot XLR to XLR cable to connect to any mixer with phantom power
  
• Metal shock mount
  
• Metal Anti-wind foam cap
  
• Owners Manual
  
• Warranty card
  

Features:

• Rockville RCM03 Pro Studio Recording Condenser Microphone Mic+Metal Shock Mount
  
• Aluminum high quality construction
• Polar Pattern: Internally Polarized Condenser Cardioid Design
  
• Large diaphragm for smooth, natural sound and low noise
  
• Power Requirements: 48V DC Phantom Power
  
• Uni-directional
  
• Sensitivity: -27dB±2dB(0dB=1V/Pa at1kHZ)
  
• Output impedance: 200Ω±30%(at 1kHz)
  
• Standard operating voltage: 3V
  
• Operating voltage range: 1.5V-10V
  
• Current consumption: less than 500uA
  
• Voltage deduction characteristic: within 3dB at 2V
  
• S/N ratio: More than 24dB
  
• Frequency Response: 30Hz - 20 KHz
  
• Fixed Crossover Filter cutoff frequency: 40Hz---16 KHz
  
• Load impedance: Greater or = to 1000 Ohms
  
• Equivalent Noise level: Less than 18dB A (IEC581-5)
  
• Max. Input SPL: 126dB(THD≤1.0% at 1kHZ)
  
• Electrical current: Greater than 4.8Ma
  
• Microphone body net weight:320 Grams (0.7 Pounds)
  
• Microphone Max.diameter 44mm (1.73” inches)
  
• Microphone Length 217mm (8.54” inches)
  
• Microphone material: steel grille + Alluminum (handheld part)
  
• PCB Layout: Surface mount

Owner’s Manual

---

Description of SASR850C:

Hear the Difference
Samson’s SR850 Semi-Open-Back Studio Headphones offer an outstanding listening solution for musicians, sound engineers and general music enthusiasts alike. With solid bass response, ultra-clear highs and a over-ear design, the SR850s ensure complete comfort and accurate headphone monitoring.

These headphones offer an semi-open-back design for enhanced ambient listening environment, allowing appropriate bleed for better stereo imaging and a wider sound stage. The 50mm drivers offer exceptional sound reproduction and wide dynamic range to instill confidence in your final mix or simply provide outstanding sound quality for your general listening pleasure.

With a self-adjusting headband for a secure, natural fit, the SR850s provide total comfort for extended studio sessions. An 1/8" to 1/4" gold-plated adapter is included with the headphones.

Whether you’re enjoying music or mixing studio tracks, the SR850s offer professional performance and comfort.

Features:

• Samson SR850 Professional Semi-open Studio Reference Monitoring Headphones 
• Ideal for professional recording and hi-fi monitoring
  
• Transparent response with airy highs and pronounced depth
  
• Over-ear, semi-open-back design with velour cushioning
  
• Large 50mm drivers with rare earth magnets
  
• Adjustable headband
  
• 10Hz–30kHz frequency response
  
• 32 Ohm impedance
  
• 1/4" adapter included

---

How to Set Up Your RDMS70:

Video of RDMS70:

Features:

• Rockville RDMS70 Desktop Mic Stand with Boom and Steel Round Base and Adjustable Height
• Heavy-duty weighted steel round base
• Adjustable Height
• Boom arm for precise positioning
• Rubber pad for extreme stability prevents sliding
• Low profile design
• Scratch-resistant powder coated finish

Specifications:

• Boom length: 13.8" (40cm)
• Height adjustment: 10.63" to 15.75" (27cm – 40cm)
• Base Diameter: 6.3" (16cm)
• Thread Size: 3/8"
• Weight: 4.85 lbs (2.2 kgs)

Owner's Manual​​

---

Video of SAQH4 :

Description :

Channel Your Sound.
You've positioned your microphones, set your levels and everyone's ready to record. Now, you need a way for each performer to hear themselves. That's where the Samson QH4 comes in... The QH4 is a 4-channel headphone amplifier designed to distribute your audio to up to four individual headphones, each with its own volume control. Its compact design is perfect for use with any studio or desktop workstation, as well as with your laptop or smartphone when you're recording on the go.

In Side... And Out
The QH4 features two balanced 1/4" inputs to connect with your mixer or recording interface, as well as a stereo 1/8" Aux input that's perfect for playing music via your smartphone or another line level device. In addition to the four stereo 1/4" headphone outputs, the QH4 provides a 1/8" Aux Out that can be used to daisy chain mutilple QH4s together.

The four independent high-power amplifier channels deliver clean, crisp audio to up to four sets of headphones, operating between 16–600Ω. And power does not diminish even when all four channels are being used. Engineered with an ultra-low noise floor and wide dynamic range, the QH4 is a tremendous value compared to other headphone amplifiers on the market. Also, the QH4's Master volume control and Mute switch make controlling the overall level of your headphones a breeze.

Check Your Phase
Before bouncing your mix, you should always check to ensure that it's compatible with mono speaker systems. The QH4 features a global Mono button, which allows you to quickly check the mono compatibility of your tracks. If you notice that some of your audio is missing, you should check the phase of your recordings. This feature also allows you to take a split left and right feed from a stereo interview and send both tracks to each side of your headphones. This is great for quickly monitoring a podcast or recording with split tracks.

Whether you're tracking multiple performers in a studio, recording a podcast, watching a video with friends or just kicking back listening to some tunes, the QH4 provides great sound at an amazing value.

Features:

• SAMSON QH4 4-Channel Stereo DJ Studio Monitoring Headphone Amplifier Amp 
• 4-channel stereo headphone distribution amplifier
  
• Four independent 1/4" stereo headphone channels
  
• Individual volume control on each headphone channel
  
• Two balanced 1/4" input connectors
  
• Stereo 1/8" Aux input and output
  
• Master Mute and Mono-summing switches
  

Specifications:

• Inputs: 2 x 1/4" balanced, stereo 1/8" unbalanced TRS
  
• Outputs: 4 x stereo 1/4" unbalanced, stereo 1/8" unbalanced TRS
  
• Controls: Master volume, master Mute, master Mono, 4 x Channel volume
  
• Noise Floor: -114dBu, 22k BW unweighted
  
• Maximum Output: 8.3 dBu, 1% THD+N, loaded 16R
  
• Dynamic Range: 22dB, 22k BW
  
• Frequency Response: 17Hz–47kHz (-3dB)
  
• Power: 15VDC adapter