- (1) Presonus StudioLive SLM AR12C 12 Channel Mixer 14 Input USB Recording Interface
- (1) Rockville PRO-D7 KIT 7 Mic Drum Kit w/Bass+Snare+Condenser Overhead Microphones
- (1) Mackie CR BUDS+ Studio Quality Dual Driver Earphones Earbuds In-Ear Headphones
Description of SLMAR12C:
Audio recording made easy.
Don’t let the classic analog mixer design fool you—the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.
A full-featured audio interface.
The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer.
The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.
A complete recording solution for studio and stage.
The StudioLive AR12c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR12c, you’re ready to record right out of the box.
Stereo recording without a computer.
Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.
Effects without latency.
Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR12c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content.
All the connections you need with a familiar look.
Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator.
Features:
Recording
- 14x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface
- Record every channel plus the main mix
- 2x2 SD recorder to capture the main mix
- Supports SD™ and SDHD™ formats up to 32 GB
Mixing
- 14-channel analog mixer
- 8 balanced microphone inputs with XMAX mic preamps
- 2 insert points
- 2 instrument/line inputs
- 12 balanced line level inputs: 4 mono, 4 stereo pairs
- Stereo Super Channel (Ch. 13/14) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
- 4 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ
- 2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output
- L/R Control Room outputs with level control
- Headphone output with level control
Signal Processing
- Highpass filter on every channel
- 3-band quasi-parametric EQ with sweepable mid-band on each mono channel
- 3-band semi-parametric EQ on each stereo channel
- Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
- Mic/line boost on stereo channels for low-level input sources and consumer devices
Included Software
- Capture™ live multitrack recording software
- Studio One ® Artist recording and production software (DAW)
- Studio Magic plug-in suite
Power
- Internal power supply
- Standard IEC power connector
Physical
- Sturdy metal construction
- 60 mm faders
- Optional rackmount kit
Specifications:
Microphone Preamp
Type: XLR Female, Class A XMAX
Maximum Input level (unity gain): +9 dBu ±1.0 dB
Gain Control Range: 43 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu): 94 dB
THD+N (min. gain, A-wtd): < 0.01%
Input Impedance: 1 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd): Mono Channels: < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB
Phantom Power: +48V, ±3V, Global
Instrument Inputs
Type: ¼” TS Female, Unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +9 dBu ±1.0 dB
Gain Control Range: 43 dB, ±1 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (min. gain, A-wtd): > 105 dB
Dynamic Range (mid. Gain, unwtd): > 108 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
THD+N (1 kHz, -1 dBFS, unwtd): < 0.01%
Input Impedance: > 1 MΩ
Line Inputs
Type: ¼” TRS Female, Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +26 dBu ±1.0 dB
Gain Control Range: Mono Channels: 40 dB, ±1 dB (-5 to +35 dB), Stereo Channels: 0 dB or +10 dB (+10 dB Boost):
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu): 85 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
Input Impedance (Balanced): 10 kΩ
Main, Control Room, Monitor, and FX Outputs
Type (Main Outputs): XLR Male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs): ¼” TRS Female, Balanced
Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 108 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
Output Impedance: 100 Ω
Headphone Output
Type: ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level: 150 mW/channel @ 60 Ω
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 103 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
System Crosstalk
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd): -85 dBu
Signal Level LED:
Signal: -30 dBFS (pre-EQ)
Clip: -3.0 dB before clip (pre- or post-EQ)
Channel EQ
Low Cut: 100 Hz, -18 dB/Octave
High Shelving: ±15 dB @ 10 kHz
Mid Peaking (Mono Channels): ±15 dB @ 140 Hz to 3.5 kHz (variable)
Mid Peaking (Stereo Channels): ±15 dB @ 2.5 kHz
Mid-Band Q: Boost: 1.0, Cut: 2.5
Low Shelving: ±15 dB @ 100 Hz
Digital Audio
Host Interface: USB 2.0
ADC Dynamic Range (Component): 114 dB
ADC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
DAC Dynamic Range (Component): 114 dB
DAC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
Signal-to-Noise (a-weighted): -96 dB
Bit Depth: 24-bit
Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
Jitter: < 80 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation: > 60 dB (1 ns in => 1 ps out)
SD Recorder
Supported Media Format: FAT16 formatted SD™ card, FAT32 formatted SDHC™ card
Media Storage Capacity: SD card: 2 GB; SDHC card: 32 GB
Recording File Format: Stereo WAV
Playback File Formats: Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)
Sampling Rate (WAV): 44.1 kHz
Bit Depth
Recording: 24-bit:
Playback: 16- or 24-bit:
Power/Environmental
Connector: IEC
Input Voltage Range: 90 to 240 VAC
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
Included Studio Magic Plug-ins
- Ableton Live Lite
- Arturia Analog Lab Lite
- Brainworx bx-opto Compressor
- Brainworx bx_rockrack
- Cherry Audio Voltage Nucleus
- iZotope Neutron Elements
- Klanghelm SDRR2tube compressor
- KV331 Audio Synthmaster Player
- Lexicon MPX-i Reverb
- Maag Audio EQ2
- Melodics rehearsal tool
- Native Instruments REPLIKA
- Output Movement
- SPL Attacker Plus
- Studio Linked Trophies
- UJAM Virtual Drummer 2 PHAT
- UVI Model D Piano
HOW To Set Up Your PRO-D7 KIT:
What’s Included:
- (1) Bass drum mic
- (4) Snare drum mics
- (2) Overhead condenser mics
- (7) Mic clips
- (1) Aluminum travel/protective case with foam
- Manual
- Warranty card
Features of PRO-D7 KIT:
Bass Drum Microphone:
- Steel grill
- Aluminum body
- Zinc alloy hardware
- Fits any mic stands
- Anti-wind filter inside the grill
- Element: Dynamic
- Polar Pattern: Cardioid
- Frequency response is engineered to be perfect for kick drums
- Studio quality performance make these perfect for recording or live shows
- Sounds great even at high SPL levels
- Rejection of unwanted noises
- XLR Output
- Integrated flexible mounting hardware
- Large diaphragm delivers accurate low frequencies
- Frequency Response: 30Hz - 12KHz
- Sensitivity: -58dB±5dB(0dB=1V/Pa at 1KHz)
- Output Impendence: 600Ω±30%(at 1kHz)
- Microphone Length: 4.72 inches
- Microphone Max. Diameter: 2.01 inches
- Microphone Weight: 0.77 Lbs
Snare Drum Microphone:
- Steel grill
- Aluminum body
- Zinc alloy hardware
- Fits any mic stands
- Anti-wind filter inside the grill
- Element: Dynamic
- Polar Pattern: Cardioid
- Large diaphragm delivers accurate frequency response
- Frequency response is engineered to be perfect for tom-toms and snare drums
- Studio quality performance make these perfect for recording or live shows
- Sounds great even at high SPL levels
- Rejection of unwanted noises
- XLR Output
- Mounting hardware has a swivel joint with quick release latch for easy and flexible positioning
- Frequency Response: 60Hz-13KHz
- Sensitivity: -54dB±3dB (0dB=1V/Pa at 1KHz)
- Output Impendence: 600Ω ±30% (at 1kHz)
- Microphone Length: 4.53 inches
- Microphone Max. Diameter: 1.61 inches
- Microphone Weight: 0.44 Lbs
Overhead Condenser Microphones:
- Overhead cardioid condenser microphone
- Steel grill
- Aluminum body
- Anti-wind filter inside the grill
- Element: condenser
- 16 MM large diameter cartridge has amazing sound
- Polar Pattern: Cardioid
- Large diaphragm delivers accurate frequency response
- Frequency response is extremely flat and engineered to be perfect for cymbals and other drums
- Studio quality performance make these perfect for recording or live shows
- Sounds great even at high SPL levels
- Rejection of unwanted noises
- XLR Output
- Mounting hardware has a swivel joint with quick release latch for easy and flexible positioning
- Low mass diaphragm
- Frequency Response: 70Hz-20KHz
- Sensitivity: 13mV/Pa
- Output Impendence: 2000 Ohms (at 1kHz)
- Max SPL: 127dB(at 1kHz=1% T.H.D)
- S/N ratio: 96dB
- Power Supply: Phantom 48V or DC1.5V
- Microphone Length: 8.46 inches
- Microphone Max. Diameter: 1.06 inches
- Microphone Weight: 0.22 Lbs
Features for Case:
- Aluminum case holds all the microphones and mounts
- Protective foam makes sure your mics stay in perfect condition when you travel
- Carry handle makes it easy to carry the case from gig to gig
- High quality case with good looking design
- Buckle latch secures the case closed
- Protective foam is molded for each microphone and clip
- Dimensions of case: 19.1” x 13.4” x 3.94” inches
Description of CR BUDS+:
UPGRADE YOUR AUDIO - EXPERIENCE THE MACKIE STUDIO LEGACY
Utilizing our decades of experience designing gear for
the world’s top artists, we have created earphones that present your favorite
music with stunning detail and warmth that remain faithful to the artist’s
studio sound. Available in two models, the CR-Buds, and the dual driver
CR-Buds+, CR-Buds Series earphones are designed for maximum comfort and rich
full-range audio with signature Mackie style.
Features:
DUAL-DRIVER PROFESSIONAL FIT EARPHONES
- UPC:
- 613817011437
