Package Includes:

• (1) DBX 231S Dual 31 Band Graphic Equalizer Pro Audio Rack Mount EQ + Low Cut Filter
  
• (1) DBX 266XS 2-Channel Compressor/Gate Rack Mount Pro Audio Dynamics Processing
  
• (1) Rockville RMC-3PK 3 Pack Metal Wired Vocal/Instrument/DJ Microphones+Metal Case
  

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Description:

Exceptional sound and rugged reliability
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Features:

• Dual 31-band, 1/3-octave Constant Q frequency bands
  
• Switchable boost/cut ranges of ±6 or ±12 dB
  
• Front panel bypass switch
  
• ±12 dB input gain range
  
• 4-segment LED ladders for monitoring output levels
  
• XLR and TRS Inputs and Outputs
  
• Frequency Response of <10Hz to >50kHz
  
• Dynamic range of greater than 108dB

​​Specifications:

• Input Connectors: 1/4" TRS, female XLR (pin 2 hot)
  
• Input Type: Electronically balanced/unbalanced, RF filtered
  
• Input Impedance: Balanced 40k ohm, unbalanced 20k ohm
  
• Max Input: >+21dBu balanced or unbalanced
  
• CMRR: >40dB, typically >55dB at 1kHz
  
• Output Connectors: 1/4" TRS, male XLR (pin 2 hot)
  
• Output Type: Impedance-balanced/unbalanced, RF filtered
  
• Output Impedance: Balanced 100 ohm, unbalanced 50 ohm
  
• Max Output: >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm
• balanced/unbalanced (into 600 ohm)
  
• Bandwidth: 20Hz to 20kHz, +0.5/-1dB
  
• Frequency Response: <10Hz to >50kHz, +0.5/-3dB
  
• Dynamic Range: Typically >112dB
  
• Signal to Noise Ratio: Typically >95dB
  
• THD+Noise: <0.003%
  
• Interchannel Crosstalk: <-90dB, 20Hz to 20kHz
  
• Bypass Switch: Bypasses the graphic equalizer section in the signal path
  
• Low cut Switch: Activates the 50Hz 12dB/octave high-pass filter
  
• Range Switch: Selects either +/- 6dB or +/-12dB slider boost/cut range
  
• Operating Voltage: 100-240VAC 50/60Hz
  
• Power Consumption: 15W
  
• Power Connector: IEC receptacle
  
• Unit Weight: 6.2 lbs.(2.81 kg)
• Shipping Weight: 7.9 lbs.(3.58kg)
  
• Dimensions: 3.5" (8.9cm) H x 6"(15.24cm) D x 19" (48.26cm) W

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Description:

Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

Features:

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  
• New gate timing algorithms ensure the smoothest release characteristics
  
• Program-adaptive expander/gates
  
• Great sounding dynamics control for any type of program material
  
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  
• Stereo or dual-mono operation
  
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
  
• Side Chain insert
  
• Classic dbx® "Auto" mode
  

​​Specifications:

• Input Connectors: 1/4" TRS and female XLR (pin 2 hot)
  
• Input Type: Electronically balanced/unbalanced, RF filtered
  
• Input Impedance: 40kΩ balanced/unbalanced
  
• Max Input: >+22dBu Balanced or Unbalanced
  
• Output Connectors: 1/4" TRS, female XLR (pin 2 hot)
  
• Output Type: Impedance-balanced/unbalanced, RF filtered
  
• Output Impedance: +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
  
• Max Output: >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
  
• Sidechain: 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
  
• Sidechain Impedance: Tip = >10kΩ (Input), Ring = 2kΩ (Output)
  
• Sidechain Max Input Level: Tip = >+22dBu (Input)
  
• Sidechain Max Output Level: Ring = >+20dBu (Output)
  
• Compressor Threshold Range: -40dBu to +20dBu
  
• Compressor Threshold Characteristic: Selectable OverEasy® or hard knee
  
• Compressor Ratio: 1:1 to Infinity:1
  
• Compressor Attack Time: Scalable Program-Dependent AutoDynamic™
  
• Compressor Release Time: Scalable Program-Dependent AutoDynamic™
  
• Expander/Gate Threshold Range: -60dBu to +15dBu
  
• Expander/Gate Ratio: 1:1 to 4:1
  
• Expander/Gate Attack Time: <100µs
  
• Expander/Gate Release Time: Program-dependent
  
• Bandwidth: 0.35Hz - 90kHz, +0/-3dB
  
• Frequency Response: Flat: 20Hz-20kHz, +0, -0.5dB
  
• Noise: <-93dBu unweighted (22kHz measurement bandwidth)
  
• THD+Noise: Typically <0.2%; Any Amount of Compression @1kHz
  
• IMD: Typically <0.2% SMPTE
  
• Dynamic Range: >114 dB, unweighted
  
• Interchannel Crosstalk: <-95dB, 20Hz to 20kHz
  
• CMRR: >40dB, typically >55dB at 1kHz
  
• Stereo Coupling: True RMS Power Summing™
  
• Power Consumption: 15 Watts Maximum
  
• Operating Voltage: 100VAC 50/60Hz; 120VAC 60Hz; 230VAC 50/60Hz
  
• Operating Temperature: 0°C to 45°C (32°F to 113°F)
  
• Dimensions: 1.75" x 5.75" x 19" (4.45 cm x 14.6 cm x 48.26 cm )
  
• Unit Weight: 4.84 lbs (2.19 kg)
  
• Shipping Weight: 6.6 lbs (2.99 kg)
  
• Reference: 0dBu = 0.775Vrms

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How to Set Up Your RMC-3PK:

Video of RMC-3PK:

What's Included:

• (3) Fully metal wired mics
• (3) Mic clips
• (1) Aluminium carry case
• Owner’s manual
• Warranty

Description:

The Rockville RMC-3PK are the same exact microphones we use in our Pro Mic Kit 1 microphone/stand bundle. These microphones were created because we saw a need in the market for a high quality microphone at an affordable price. We found there were a lot of good mics around from reputable brands that sound great, but are very expensive. When we looked at the cheaper mics on the market from both reputable and entry level brands; we were not impressed at all. As a result we sent our very own product developers on a mic testing journey. A lot of our employees here at Rockville love to do karaoke, so it was not long before we found a mic that we all loved.

You may be asking yourselves, so what makes these mics sound so good? Our mics use an M-56 cartridge which have neodymium magnets. This supplies better sensitivity; which means your mouth will not have to be on the mic for it to pick up the sound. Our components supply more than a great pickup pattern. They have very little background noise, and great tone.

The body of the microphone is also something we paid a lot of attention too. We did not want it to be too light and feel cheap. We made nice solid metal microphones. They have a great feel to them. We could have gone with plastic or cheaper metal, but we wanted to go with mics that we ourselves would want to use.

90 Day Money Back Guarantee including return shipping!

If within the first 90 days you are not 100 % satisfied for any reason, contact us and we will send you a return label and give you all your money back! (Item must be returned complete with all accessories and the original box please).

Features:

• Rockville RMC-3PK 3 Pack Metal Wired Vocal/Instrument/DJ Microphones + Metal Case
• Mic Features:
• M-56 Cartridge
• Full metal mic body
• Type: dynamic
• Neodymium magnet
• Polar Pattern: uni-directional
• Frequency Response: 80 - 13Khz
• Impedance: 600 Ohms ± 30%
• Sensitivity: -72 ± 3dB
• Case: High quality Aluminium carry case protects the mic during transportation
• (3) Heavy Duty Standard Size Microphone Clips
• Stand Mountable
• Color: Black

Specifications:

• Shipping weight: 2.04 lbs
• Shipping Dimensions: 12.4” x 9.25” x 3.94”