Package Includes:

• (1) Presonus Quantum 26x32 Thunderbolt Audio Recording Interface w/8 Mic Preamps
• (1) Warm Audio WA-47 JR FET Condenser Microphone Multi-Pattern Recording Studio Mic
• (6) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cable Black 100% Copper

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Authorized PreSonus Dealer!

Video of Quantum:

Description:

Your expandable, ultra-high definition recording system.
Taking full advantage of the high-speed Thunderbolt™ bus and ADAT Optical I/O, the PreSonus® Quantum audio interface delivers up to 26 inputs and 32 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it’s a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

We cut the wait.
Every design decision during Quantum’s engineering was made with one goal in mind: speed. Quantum sports high-speed Thunderbolt connectivity and a no-frills, direct-to-DAW architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date. Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

Expandable when you need more I/O—up to 96 in and out.
The Quantum audio interface offers two combo mic/line/instrument inputs and six combo mic/line inputs, each with a digitally controlled XMAX preamp and individual +48V phantom power. You also get two ¼-inch TRS main outputs, eight ¼-inch TRS aux outputs, and two independent headphone outs with dedicated volume controls. But that’s just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum interfaces via Thunderbolt to create a monster system with up to 96 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Superior sound.
Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

A superior choice for any production environment.
With its pro features and abundant I/O, the Quantum audio interface fits into any recording and production environment. You get two main and eight auxiliary balanced line-level outputs, as well as Mute/Dim and Mono controls. The onboard talkback mic can be routed to any mix, and you can listen to any mix from either of two independent headphone amps. All 10 analog outputs are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum’s expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

Tight integration with Studio One.
With the Quantum, your audio interface is an integrated extension of your recording environment. The perfect companion for any recording software, the Quantum 2 comes equipped with Studio One Artist to provide you with a complete recording solution. Launch Studio One®, and you’ll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad® or Android™ tablet.

Features:

• PreSonus Quantum 26x32 Thunderbolt Audio Recording Interface with 8 Mic Pre-Amps
• 26x32 Thunderbolt ultra-low-latency audio interface
• PreSonus’ fastest interface; record direct to DAW (no DSP)
• Stack up to four Quantum interfaces via Thunderbolt for a monster system
• Talkback switch and internal Talkback microphone
• Mute/Dim and Mono switches
• Assignable output level control
• (10) 8-segment LED meters (8 input, 2 output)
• Simultaneous I/O up to 26 inputs/32 outputs (at 44.1 or 48 kHz)
• 2 front-panel combo microphone/instrument/line inputs
• 6 rear-panel combo microphone/line-level inputs
• 8 XMAX remote-controllable, Class A mic preamps with individually switched 48V phantom power
• 2 balanced ¼” TRS line-level main outputs
• 8 balanced ¼” TRS line-level outputs
• Line outputs are DC coupled for sending control voltages for analog gear
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• 2 high-volume headphone outputs with dedicated volume controls
• Thunderbolt 2 high-speed bus (Thunderbolt 3 compatible)
• 24-bit resolution and up to 192 kHz sampling rate
• Top-quality 120 dB A/D/A converters
• BNC word clock input and output with low-jitter clocking
• MIDI I/O on 5-pin DIN connectors
• Road-rugged construction with all-metal chassis and metal knobs
• 1U rack-mountable
• 12 VDC external power supply (included)

Specifications:

• Microphone Preamp
  • Type: XLR Female (via Combo), Balanced
  • Maximum Input Level: +10 dBu (Balanced, min. gain)
  • Gain Control Range: 60 dB
  • Frequency Response:
    • 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz)
    • 20 Hz to 40 kHz (±0.22 dB, unity gain, 96 kHz)
  • Dynamic Range: > 110 dB
  • THD: < 0.005%
  • EIN: < -131 dBu
  • Input Impedance: 1.6 kOhms
  • Phantom Power: +48V
• Instrument Inputs
  • Type: 1/4" TS Female (via Combo), Unbalanced
  • Maximum Input Level: +15 dBu (Unbalanced, min. gain)
  • Gain Control Range: 60 dB
  • Frequency Response:
    • 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz)
    • 20 Hz to 40 kHz (±0.6 dB, unity gain, 96 kHz)
  • Dynamic Range: > 106 dB
  • THD: < 0.005%
  • Input Impedance: 1 M Ohms
• Line Inputs
  • Type: 1/4" TRS Female (via Combo), Balanced
  • Maximum Input Level: +18 dBu (Balanced, min. gain)
  • Gain Control Range: 60 dB
  • Frequency Response:
    • 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
    • 20 Hz to 40 kHz (±0.10 dB, unity gain, 96 kHz)
  • Dynamic Range: > 118 dB
  • THD: < 0.005%
  • Input Impedance: 10 kOhms
• Main and Line Outputs
  • Type: 1/4" TRS Female, impedance balanced, DC Coupled
  • Maximum Output Level: +18 dBu (Balanced)
  • Frequency Response:
    • 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
    • 20 Hz to 40 kHz (±0.15 dB, unity gain, 96 kHz)
  • Dynamic Range: > 118 dB
  • THD: < 0.0035%
  • Output Impedance: 51 Ohms
• Headphone Outputs
  • Type: 1/4" TRS Female, Stereo, Unbalanced, x2
  • Maximum Output Level: 175 mW/channel (56 Ohm Load)
  • Frequency Response: 20 Hz to 20 kHz (±0.05 dB, 48 kHz)
  • Dynamic Range: > 110 dB
  • THD: < 0.003%
  • Headphone Impedance (working range): 16 Ohms to 300 Ohms
• Crosstalk
  • Input to Input: < -110 dB
  • Output to Output: < -115 dB
  • Input to Output: < -120 dB
• Digital Audio
  • Connection Type: Thunderbolt
  • ADC Dynamic Range: 120 dB
  • DAC Dynamic Range: 120 dB
  • Bit Depth: 24 bits
  • Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
• Power: 12 VDC, 5A, external power supply
• Product Dimensions (H x W x D): 1.75" x 19" x 7" inches
• Product Weight: 6.0 Lbs.

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Description of WA-47JR:

Like Father. Like Son.
The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.

The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.

The WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.

We at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price. We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.

Quality Components Make A Better Mic
The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is assembled with precision by an Australian capsule manufacturer. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.

The Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.

Born Out Of Need
When designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.

The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.

Specifications:

• FET Transformerless '47 Style Condenser Microphone.
  
• Custom True '47 Capsule Reproduction (K47 Style), Model# WA-47-B-80v.
• Capsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6, Microns NOS Mylar (PET Film).
• Polar Patterns: Cardioid, Figure-Of-Eight, And Omnidirectional.
  
• Pad: -10db
  
• High-Pass Filter: 70Hz
  
• Self-Noise: 9dBA
  
• Dynamic Range: 138dBA
  
• Fully Discrete Signal Path, Toshiba FET’s, Wima Film Capacitors, Panasonic, Electrolytic Capacitors
• Maximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)
  
• Frequency Range: 20 Hz~20 KHz
  
• Sensitivity: 10mV/Pa Or -40dB
  
• Output Impedance: 100 Ohms
  
• Rated Load Impedance: =1kOhms
  
• Equivalent Noise: 10dBA (IEC651)
  
• Total Weight: 1.1 Lbs
  
• Mic Diameter: 52 mm
  
• Mic Length: 210 mm
  
• Includes: Shockmount, Hard Mount, Zipper Storage Pouch

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Video of RCXFM20E-B:

Description:

All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.

The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.

Features:

• Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable
• XLR Connectors with Internal Strain Relief for Rugged Reliability
• 100% Copper Conductors for Enhanced Signal Clarity
• 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility
• Length: 20 Ft
• Color: Black